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Everything Worth Seeing at Paris Fashion Week Fall/Winter 2022


paris, france   february 28 editorial use only   for non editorial use please seek approval from fashion house a model walks the runway during the off white womenswear fallwinter 2022 2023 show as part of paris fashion week on february 28, 2022 in paris, france photo by peter whitegetty images

Pietro D`ApranoGetty Images

Paris Fashion Week is taking the world by storm, and we’re seeing top designers predicting the forecast for the fall/winter 2022 season. At Dior, Maria Grazia Chiuri surprised us with protective football gear, Saint Laurent redefined what Art Deco looks like, and Off-White presented its first posthumous show following Virgil Abloh’s passing last year. See everything you should be paying attention to at PFW, here.

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Saint Laurent

For Anthony Vaccarello, Art Deco isn’t just an aesthetic, but a vibe. He looked to the ethos of the era, pulling indirect references in the form of languid silhouettes, innovative faux fur coats, and the blurring of lines between masculine and feminine. As the brand’s press notes state: “Nancy Cunard, the independent-minded activist publisher who dressed audaciously ahead of her time⁠—giving a masculine wardrobe her own indelible imprint⁠—served as a guiding template.”

Off-White

Virgil Abloh’s passing in November 2021 was a blow to the fashion industry and the many lives he influenced. This posthumous collection read more like an ode to the designer who not only leaped beyond the limits he was given, but created an inclusive platform for others. In tow, his supporters showed up both on and off the runway. Naomi Campbell, Serena Williams, and Cindy Crawford graced the runway, while Rihanna and A$AP Rocky, Pharrell Williams, and designers such as Jonathan Anderson, Olivier Rousteing, and Matthew Williams sat on the sidelines. A man known for his quotations, Abloh’s lasting legacy will always be his advocacy for others. This time, the words were waved high on a flag, reading: “Question Everything.”

Christian Dior

Maria Grazia Chiuri aimed to reinvent the codes of Christian Dior, marrying the past, the present, and the future. Large-format paintings hung in the gallery stage, featuring women from the 16th to the 19th centuries, signaling their societal roles as people to be seen, a feminist bent that Chiuri has addressed during her career at Dior. This exploration is further developed via crisply tailored suits, fluorescent jumpsuits ready for Speed Racer, and, most surprisingly, the designer’s signature tulle gowns, offset with shoulder pads.

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